Alondra Betancourt Alondra Betancourt

First Home, Forever Home 

I would have never imagined myself saying I miss Florida’s suburban, monotonous neighborhoods, yet they were the most comforting view from the plane.

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Isaiah Weir Isaiah Weir

3,000-Year-Old Poetry Today

In reading Augustine’s Confessions for Lectio Humana, perhaps the most prominent aspect I’ve encountered so far is the author’s desire for worship.

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Sebastian Neri Sebastian Neri

Salus Populi Suprema Lex Esto

Peter Thiel once said in an interview something to the effect that the only three coherent visions of the future that animate people in the modern world are Islamism, Chinese totalitarianism, and western-style environmentalism.

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Caroline Magro Caroline Magro

Wrapped Up in Minutes

On November 30th, I joined millions of fellow listeners in reviewing the results of my Spotify Wrapped.

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Callista Dyer Callista Dyer

Sacred Spaces

In Wendell Berry’s poem “How to Be a Poet,” he writes, “There are no unsacred places; there are only sacred places and desecrated places.”

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Michael Ruggiero Michael Ruggiero

Rousseau and Democracy

During this past election week, I had the timely task of critically evaluating Jean-Jacque Rousseau’s argument against democracy from Of the Social Contract.

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Samuel J.C. Hatfield Samuel J.C. Hatfield

The Sin of Refusal

While at times we are set on pursuing the good that is found by participating in the divine, we fall astray, usually many times, and end up chasing after those things which lead down the path to damnation.

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Daniel Nguyen Daniel Nguyen

God Speed and the Code of Chivalry

One of the fascinating art pieces that I have hung up in my cubicle at the Collegium office is a print of Edmund Blair Leighton’s God Speed.

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Sebastian Neri Sebastian Neri

Nietzsche and the Sons of Adam

Most of the discourse surrounding the work of 19th century German philosopher Friedrich Nietzsche and Christianity concerns his critiques thereof and the nature of his opposition.

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Andrew Basile Andrew Basile

The History of Quiet Happenings

Peter Bruegel the Elder’s Landscape with the Fall of Icarus is an artwork layered in irony. It’s a mid-sized landscape dating back the 1560s, with sea-green colors and a staggered topography that draws the eye inward and down towards the ocean.

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Joseph Wilbur Joseph Wilbur

Is Fear a Tool?

Whether rising prices for everyday commodities, or looming war between major nations, what purpose is fear truly serving today?

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This entirely student-run blog is intended to be a lively space of engagement for our student fellows where they can freely experiment with ideas together. They should not be assumed to be equivalent with students’ own settled convictions, let alone with the views of the Collegium Institute itself.